The New Yorker uses a minimalist, monochrome color identity centered on black and white, reflecting its literary and journalistic heritage. The palette is timeless and understated, emphasizing clarity and sophistication.
newyorker.comClick any swatch to copy its hex. Hover for RGB and HSL.
Pick a format, copy or download. Everything below is generated from the exact hex values above.
:root {
--info: #3A6EA5;
--error: #E63946;
--accent: #E63946;
--border: #D8D8D8;
--primary: #000000;
--success: #3CB371;
--surface: #F0F0F0;
--warning: #FFA500;
--secondary: #FFFFFF;
--text-muted: #999999;
--background: #F7F7F7;
--text-primary: #000000;
--text-secondary: #666666;
}Every text tone tested against every surface, per WCAG 2.1.
Text on background
Needs 4.5:1 for body text
19.6:1
Pass
Text on surface
Needs 4.5:1 for body text
18.4:1
Pass
Secondary text on background
Needs 4.5:1 for body text
5.4:1
Pass
Secondary text on surface
Needs 4.5:1 for body text
5.0:1
Pass
Muted text on background
Needs 3:1 for large text
2.7:1
Fail
Muted text on surface
Needs 3:1 for large text
2.5:1
Fail
The quiet part of the The New Yorker palette: page background, card surfaces, dividers and the three text tones that sit on them. Click a value to copy it.
The New Yorker employs a high-contrast monochrome palette, with red and blue accents for emphasis. The restrained color system supports a focus on content and legibility.
Black and white provide maximum contrast.
Red is used sparingly for highlights and notifications.
Grays create hierarchy and structure in UI elements.
Black and white evoke authority, elegance, and seriousness, aligning with the brand's literary reputation. The red accent adds urgency and draws attention to key actions or alerts.
The New Yorker's palette has remained largely unchanged, consistently favoring black, white, and subtle grays. Occasional accent colors like red and blue have been introduced for digital interfaces.
Used for the logo, headlines, and primary navigation text.
Used for page backgrounds and negative space.
Appears in subscription buttons, notifications, and links.
Light gray backgrounds are used behind article content and UI cards.
Black for primary text, gray for secondary and muted text.
Green, orange, and red are used for status indicators and alerts in digital interfaces.
Hex codes, RGB values, neutrals and how to use the palette.
The primary brand color for The New Yorker is black, with the hex code #000000.
The RGB value for New Yorker Black is (0, 0, 0), and the CMYK equivalent is (0, 0, 0, 100).
The New Yorker uses several neutral tones, including #F7F7F7 for backgrounds, #F0F0F0 for surfaces, #D8D8D8 for borders, #666666 for secondary text, and #999999 for muted text.
Use black (#000000) for logos and primary text, white (#FFFFFF) for backgrounds, and red (#E63946) sparingly for accents or calls to action. Grays are used for UI structure and text hierarchy.
The secondary color is New Yorker White, #FFFFFF, and the accent is New Yorker Red, #E63946. Together with the primary they make up the three brand colors at the top of this page.
4 of 6 text and background pairings meet WCAG 2.1 AA contrast. The contrast section above shows every pairing with its exact ratio.
Use the export block on this page. It gives you CSS custom properties, a Tailwind config, W3C design tokens or a shadcn/ui theme built from these exact hex values, with copy and download buttons.
Yes. Export the Claude Code skill, Cursor rules or Codex prompt from the same block. The agent then applies The New Yorker's colors consistently when it generates UI.
Start from this palette's mood and get an original 13-color system for your own project, contrast-checked and ready to export.
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